Professional Development and Personal Renewal for Educators Who Want to Think for Themselves

11th Annual Northwest Teachers' Conference - 2006

Northwest Teachers Conference
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NWTC Staff...

Our staff has years of experience and a lot to offer.  We talk together through the year to explore things that might be shared in their morning sessions.  We encourage waiting to meet participants before deciding on the details of what will be presented.

 

2008 staff...
Here is this years' staff and a question they are each wondering about.

Tom Hunter: “Richard and I started this event together, and it’s been fun to see it evolve into it’s current form. For 28 years I’ve been exploring in schools, churches, colleges, and camps how songs and learning affect each other. I’ve made recordings, published articles, and felt amazed and proud as many of my songs have become standards in homes and schools. I travel nationally to present seminars, keynotes, and concerts; but still like nothing better than to sit on floors listening to children and teachers make sense of their worlds.”
Q: How can I find the time to write the book that is lurking inside me?

Richard Scholtz: “I’ve worked in music and education for over 35 years: with pre-schools and elder hostels, a youth orchestra and youth choir, produced recordings, organize adult camps and taught University and Community College classes. I believe education implies being open to change. NWTC has grown directly out of the work and projects that Tom and I have shared for years and I’m happy to say I continue to learn things each year it happens.”
Q: How do you know it is time to move on to the next thing?

Judy Bierman: “After 25 years of teaching/learning in and around Seattle’s public schools, I have moved to Whidbey Island and am in the midst of launching ArtsPace—a small multi-use center for collaborative creative efforts in whatever genre for all ages. No idea what will emerge in the long run, but my intention is to design/nurture an environment where there’s enough time and space to find out.”
Q: What makes information trustworthy?

Deborah Langstaff: “My passion is composing and arranging songs based on texts, often spiritual, from different parts of the world. I just did a really fun program in Switzerland with guitar, cello, saxophone, flute, and modern dance. My joy is our two wonderful girls, 6 and 9, from India. For many years I have done organizational development consulting (team building, race and gender work, trainings, etc.), in the US and in Europe. My challenge right now is the transition of moving a family from one country, culture and world, to another.”
Q: Why do the birds sing so much louder in Switzerland than they do here?

Christian Swenson: “I used to be Judy’s neighbor here in Seattle, but she’s become an Islander… I’m a performing artist and teacher with a background in dance, mime, theater, voice and improvisation. I just finished a solo show tour of 25 schools throughout Saskatchewan and am presently teaching a class called “Improvisation in Art and Life” at Seattle University. I’m married with 2 kids 19 and 16.”
Q: Just what do we mean when we speak of “raising our spirits?

Aeden Hunter and Dale Oddson return to do child care. Flip Breskin will be a resource for guitar, song and teaching.

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2007 staff...
Here is last years' staff and a question they were each wondering about.

Tom Hunter, NWTC co-founder and co-director, has been a minstrel for 27 years exploring in schools, churches, colleges and camps how songs and learning affect each other. He's made recordings and published articles. Many of his songs are "standards" in classrooms and homes. With a national schedule of keynotes, workshops, and concerts, his favorite moments are sitting on floors listening to children and teachers make sense of their worlds.
Q: How do I grow into the role of elder teaching a tradition of songs that's still useful and alive and not a historical relic?

, NWTC co-founder and co-director, has been involved in teaching and designing learning programs since 1966 when he worked at Clear Lake Camp, the oldest school camp in the nation in Dowling, MI. A musician, he has worked with pre-schools and elder hostels, organized choirs, produced recordings, organized adult camps and taught University and Community College classes.  Richard was a founding staff member of Antioch West in California.
Q: Which things are teachable and which do people have to discover for themselves?  How do you include both in a curriculum?

Margaret Read MacDonald is a storyteller and children's librarian whose interests lie especially in the folktale and its uses in both traditional and educational communities.  Macdonald travels the world teaching her easy-to-learn folktales to teachers, librarians, and parents.  She is author of 45 books about folklore and storytelling topics.  www.margaretreadmacdonald.com
Q: Can we change the world by changing our stories?  Can we change ourselves by changing our stories?

Nancy Stothart is a registered nurse with a passion for empowering people to be in charge of their own health.  She has been a hands-on nurse and educator working with people throughout the life continuum from birth through death.  Her recent work includes a 4-year community grant from the Robert Wood Johnson Foundation to transform chronic illness care and coordinate access to specialty medical care to members of our community who are low income and are ineligible for health insurance.
Q: What is health and where do you get it?

Jerome Chandler enjoyed 45 years of teaching at levels ranging from elementary in New York City to secondary in West Africa to post secondary at Skagit Valley College.  With a Masters in Physics from Notre Dame University and 25 years as a religious Brother, he is interested in the relationship of science and religion.  He is active in theater, enjoys sports, kayaking, woodworking, reading, and volunteering in the first grade classroom at Lincoln Elementary.
Q: What is it in the nature of science and religion that makes them appear to be in conflict?

Aeden Hunter and Dale Oddson return to do child care. Flip Breskin will be a resource for guitar, song and teaching.

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2006 staff...
Here is the staff from 2006 and a question they were each wondering about.

Richard Scholtz, NWTC co-founder and co-director
Q: What services, people and resources do you identify as part of the community that helps you stay healthy?

Tom Hunter, NWTC co-founder and co-director
Q:
Where do I get new energy when I am drained?

Randy Flowers has worked in the public schools of Washington State for 34 years as both a teacher and elementary school principal. He retired for four years, and then returned as principal of a small school in rural Whatcom County. He says that the four years of retirement were fun, scary, productive and lonely. He finds his fourth year back working in education a joy and a struggle: schools can be difficult places in which to accomplish your own goals let alone the fickle requirements of our society.
Q: Besides economics, what else drives American Education?
& Why does our country appear to be dissatisfied with it's schools?

Piper Heisig is artistic, dyslexic and autodidactic. School was not a good fit when she was growing up. She is a working musician who is a vocalist and plays strings and percussion. A natural born teacher, she has taught groups of adults in music camps around the country for the last 16 years. Her heritage includes 13 different ethnicities and she recently received her spirit name from an elder of her tribe: the Anishinabe Ojibwe of Manitoba, Canada.
Q: Why don't people see the connection when they vote to fund prisons but not schools?

Karee Wardrop is a nationally certified American Sign Language interpreter/translator of twenty years, who also holds an MA in Theatre. These two paths converge in her work as a staff interpreter at the Oregon Shakespeare Festival and as the Co-Chair of the Theatre Access Seattle Community Task Force. Her current hobbies: building new stuff out of old stuff and advocating for “no child forced to wait."
Q: If, in fact, calculation and reasoning are more highly valued than spontaneity and intuition in our culture, how does that affect our interactions with, and understanding of, each other and the world?

Aeden Hunter and Dale Oddson return to do child care. Flip Breskin will be a resource for guitar, song and teaching. Gwen Hunter will again be registrar.

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2005 staff...
Here is the staff from 2005 and a question they were each wondering about.

Tom Hunter, NWTC co-founder and co-director
Q: How do I know when I am doing a good job?

Richard Scholtz, NWTC co-founder and co-director
Q:
When listening to music, what tells me that the person means what they are singing or playing?

Fran Peavy has worked in Australia, South Africa, New Zealand and with nonviolence activists in all countries in the Balkans. Since 1981, she's worked  in India  with an Indian foundation on a campaign to clean the Ganges River. She began her work life as a science teacher in San Francisco. Author of  five books, Fran lives in the San Francisco Bay Area.  Her hobby is humming.
Q:
How do we assist children and former children to work for the social changes they see are needed?

Gretchen Orsland has worked as an educator and professional actress in the Seattle area for the past 25 years; teaching in  public elementary schools, Seattle Children's Theater, and teacher training courses at the University of Washington. She is now in her eleventh year at Lakeside School where she works with high school students. Gretchen holds an MFA in theater from Southern Methodist University.
Q:
How can we encourage students to be less critical of themselves and of each other and to seek out common strands of the human experience?

Julie Mauermann, B.A. (soon to be M.A.) Pacific Oaks, has been working with children and families for over 15 years. She worked for four years as the Child Development Center Director at Whatcom Community College before settling into her current role advocating for and working with families as a Family Community Coordinator with the Ferndale School District. One of her passions includes actively participating in local human rights work.
Q: In what ways do we unconsciously encourage unaware conformity in ourselves and others, and what are the effects?

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2004 staff...
Here's the staff from 2004 and a question they were each wondering about.

Tom Hunter, NWTC co-founder and co-director
Q: How is it we've allowed ourselves to put up with environments and requirements that drain our vitality?

Richard Scholtz, NWTC co-founder and co-director
Q: From what places do I - and others - accumulate the authority that enables me to be accepted as a teacher and to teach?

Marie Eaton is a faculty member at Fairhaven College, an interdisciplinary college at Western Washington University. Previously Dean at Fairhaven and Associate Dean in the Woodring College of Education, she now spends her time wondering about how to teach and learn in ways that open questions, make space for exploration, and integrate reflective practices into learning environments. She and her students explore what it means to be young in today's American society.
Q: What lessons about learning can we glean from the intersection of the experiences of others with our own memories?

Bill Roberson has been teaching children under 7 for 30 years and in 2004 took a half-sabbatical to do adult ed with parents and faculty. He has been a "children's music performer" for over twenty years working in schools, committed to keeping old folk songs alive and having folks sing together as often as possible.
Q: How do I live with the questions without trying to nail them down with an answer?.

Karee Wardrop, CSC, MA, enjoys a lifelong interest in languages and cultures. A nationally certified interpreter since 1986, she works in any area where Deaf and Hearing people want to communicate. She has taught interpreting and related courses and has been a guest lecturer in Linguistics at Western Washington University. She works within the Deaf-Blind Community, interprets theatrical and musical performances, and is especially interested in turning true-to-life stories into theater
Q: Is truly complete communication ever really possible?

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2003 staff...
Here's the staff from 2003 and a question they were each wondering about.

Judy Bierman's 20+ years as a classroom teacher/arts "specialist" have filled her with questions about the use and design of education and fostered a dedication to making the arts part of children's daily lives. She has served as adjunct faculty at both Pacific Oaks and UW Bothell teacher training programs and has led classes for both children and adults in a wide variety of settings. She had two questions.
Q: How do I reconcile the satisfaction I feel as a teacher when I successfully break a learning process into manageable, meaningful steps for my students with the knowledge that teaching this way can be irrelevant, sometimes even counterproductive, to learning?
& What happens if we educators turn the process/product dichotomy on its head? What if I choose to think of a student's finished work (product) as an abstraction a way for me to frame her experience (her concrete, tangible process)?

Richard Russell is an artist, musician and business strategist. For fifteen years people have sought his consulting on such issues as increasing team spirit or clarifying core messages, as well as orchestrating entire multimedia productions when appropriate. His practice uses storytelling to enhance our cognitive and conceptual capabilities. He's rarely metaphor he didn't like.
Q: How do we catch the lightning of creativity in the bottles of our daily lives?

Pat Thompson teaches in a Children's Mental Health Facility in Victoria, B.C. Pat has spent 30 years helping kids with a "Severe Behaviour" designation survive emotional distress and get back to learning. She also helps teachers survive emotional distress and get back to teaching and is starting a program for teachers called "Tea and Strategies."
Q: When, if ever, is it right to "give up" on a kid – and what would you  call it when it is the best thing for the kid?

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